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I M THE GUY PROFESSIONAL
It was so bang on that Bill Gates, a superfan of the show, recommended it to fellow tech heads as a professional tool: “If you want to understand Silicon Valley, watch Silicon Valley,” he wrote on his blog. He lampooned modern workplace culture in the movies Extract and Office Space, while his superlative sitcom about the tech world, Silicon Valley, managed to make comedy out of the wealthiest and most influential industry in our era. It is impossible to imagine 90s TV without his seminal hits, Beavis and Butt-Head and King of the Hill, the former satirising the worst of youth culture, the latter fondly depicting gentle American conservatism acclimatising itself to the Bill Clinton era. Judge, 57, is so beady at spotting what’s everywhere, his shows themselves end up becoming ubiquitous, the thing everybody’s talking about. “But I tend to look at stuff that feels as if it’s everywhere, but nobody’s talking about.” “It’s always a shock when something comes out and it feels so relevant,” he says, in his laconic surfer-dude tone, talking to me by phone from his home in Los Angeles. F ew writer-directors have been as consistent and ruthless at capturing the moment as Mike Judge, although he never actually intends to do so.